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Kyng Orfeo
A 13th century British version of the Orpheus & Euridice legend, words adapted by Daphne Burgess from medieval manuscripts. Here are evocative moods and styles, superbly portraying the different sections of the libretto. The piano's opening wilderness is still and sparse, whilst later word-painting, without ever being over-obvious, captures the essence of horse-riding, fairy horn-calls, Orfeo's gentle harp; with drama and lyricism in the scenes, and humour in the recitative sections. The vocal line is challenging and virtuosic, always 'vocal' in its writing.
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Performances
first performance: Jacqueline Pischorn and David Owen Norris, University of Southampton 2003; second performance at South Downs College, Jacqueline Pischorn and Peter Rhodes 2005. |
Review
"a genuinely imagined piece which should make a strong impression. Any young soprano looking for an extended piece to study and perform at an important recital could investigate this fascinating and impressive composition." - Musical Opinion. |
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3 Base Diversions
Settings of medieval texts
- Phillida and Corydon He would love and she would not!
- An Epitaph Be he safe, under this stone? I don't care because he never did!
- Fill the bowl, butler! Bevis à tout!
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Performance
Ian Caddy and Ingrid Surgenor, P&O Classical Music Cruise 2001. |
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